Literary Analysis

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The Wound of Individuality and the Literary Experience

I was recently troubled by a conversation that occurred in a book club I attend. We’d read The Five Wounds, a contemporary novel by Kirstin Valdez Quade about a dysfunctional, multi-generational Hispanic family. A participant expressed doubt about his ability to read Quade’s novel with proper understanding and “sensitivity,” because he doesn’t share the author’s heritage or gender…

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The Frog Prince and the Answer to Everything

Once upon a time, there was a princess who was so beautiful that even the sun, who saw everything, was bemused by her beauty every time he shone down upon her. On hot days, she liked to go sit near a cool well on the edge of a dark wood by the castle, take out her favorite plaything—a golden ball—and pass time by throwing it in the air and catching it again. One day, the golden ball dropped and fell into the well instead of into the girl’s hands…

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Authorial Intent and Christian Education

The use of language in any context rests on a single and essential tenet: words mean. And not only that, they mean something particularly. When anyone writes or speaks, they trust utterly, even if unconsciously, that they can, to someone who speaks their language, be understood. The next obvious question is, who decides what words mean? Here, we have two options…

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Truth and Beauty in Peter Rabbit

In An Experiment in Criticism, C. S. Lewis suggests that every work of literature is both Logos (something said) and Poiema (something made). What he means is that each work not only communicates an idea, but does so via form and technique; it is a creation of the hands, not just of the mind. “As Logos,” Lewis writes, “it tells a story…As Poeima, by its aural beauties and also by the balance and contrast and the unified multiplicity of its successive parts, it is an objet d’art, a thing shaped so as to give great satisfaction” (Lewis 132)…

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man and woman dancing outside

Literary Reading in the Gospel of Luke

There’s a passage in the Gospel of Luke to which I have historically applied some bad reading habits. It’s the scene where Jesus compares his listeners to children calling out to one another in the street, saying “We played the flute for you, and you did not dance; we sang a dirge, and you did not weep.” (7:32) To be honest, I usually just keep on reading right past this verse and move on to more accessible material…

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Restoration and Remembrance in Cinderella

I’m currently in the middle of a unit in some of my literature classes where we are reading and discussing fairy tales. Reading and talking about fairy tales is quite possibly my very favorite thing to do ever. I might be only a tiny little bit hyperbolic about that. Just a smidge. I could honestly do nothing but teach fairy tales all year, every year, and be perfectly happy…

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“Close Reading” and Postmodern Criticism

My mother hates the term “Close Reading.” To her it is emblematic of the postmodernist deconstructive literary criticism she encountered during her own college years in the late 80’s. To engage in this sort of “close reading” was to focus so intently on the trees that you missed the forest entirely; to purposefully evade and ignore the overarching thematic meaning of an author’s text and to decide what the work “meant to you” by evaluating how the granular details of the story made you feel…

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On “Getting the Right Answers” to Socratic Questions

One of my favorite, daily tasks at CenterForLit is answering emails from parents and educators who write with questions about literature and homeschooling. I look forward to these conversations, albeit virtual, because I remember the isolation endemic in much of my own homeschooling work. Taking on the monolithic task of educating any child in the face of armies of educators in the public and private educational sector, all of whom bear degrees and expertise in their single fields, requires a great deal of confidence, which many call temerity…

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illustration of Gawain confronting the Green Knight

Trapped by the Rules: Sir Gawain and the Green Knight

Emily and I just had the distinct pleasure of teaching a tricky and delightful poem called Sir Gawain and the Green Knight. Picture this: King Arthur and his noble Knights of the Round Table are busy throwing a Christmas feast, when in through the big double doors rides, you guessed it, a Green Knight. Now, before your 21st-century modern imaginations dress an entirely normal, if large, knight in green clothes and call it good, allow me to emphasize a poetic reality: this dude is green. His skin is green. His beard is green. His horse is green. His teeth are green. And not just green – fluorescent! He shines! In one hand, he holds a green shiny holly branch (a symbol of peace or mercy) and in the other, an equally green shiny battle-axe…

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How Then Shall We Read? – An Apology for Literary Analysis

Much has been made in recent years of the prime opportunity childhood presents to shape lifetime readers. Reading aloud, in particular, is the word on the street where methodology is concerned. With videos and entertainment on the cultural rise, parents no longer have the luxury of throwing a book at a child and hoping it will “take.” Now, they must read it to them, guide them, captivate, and verily, enchant them into the magical kingdom of imaginative literature. Certainly, reading aloud may perform this function and a multitude of others that prove equally valuable…

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