Reviews

E. H. Shepard illustration of Piglet and Pooh walking toward the horizon

Books Without Covers: Stories My Kids Loved to Pieces

Those who visit the Andrews’ family library may find themselves somewhat disappointed. Few first-edition, signed copies of the great works of the Western canon grace our shelves. Though our bookshelves burgeon with classics, our books bespeak a different kind of collection. Many were gathered painstakingly by treasure hunting at used bookstores, thrift stores, and garage sales. Some were gifts from friends and family. Others were acquired through liquidation sales at public libraries. Tattered and torn, the Andrews Library houses books our family has discovered, shared, read, and re-read through the changing years and seasons of our lives… 

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illustration from the cover of Gary Schmidt's Pay Attention, Carter Jones

Review: Pay Attention, Carter Jones

When young Carter Jones opens his door at 7:15 one morning, he never expects to find an English butler. Enter Mr. Bowles-Fitzpatrick, a gentleman’s gentleman from England, whose master, Carter’s grandfather, willed him to the family upon his death. When Carter’s mother, stating the obvious, suggests a dearth of gentlemen upon the premises, the butler merely eyes Carter, retorting, “Perhaps not yet…”

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illustration from the cover of Daniel Nayeri's Everything Sad is Untrue

Scheherezade and the King: A Modern Narrative Diversion Addressing an Ancient Problem

When five-year-old Khosrou’s Shiite Muslim mother converts to Christianity, his life changes forever. Soon he finds himself hurried onto a plane, leaving behind his father and the familiar landscape of Iran to live as a refugee in the United States. Rural Oklahoma’s flat and dusty landscape isn’t the only thing unfamiliar to him; his very self seems strange in his transplanted condition. Everything is new: new home, new father, new school, new language. He even has a new, American name: Daniel. Who is he now? Will he ever feel at home in this new place? Will he ever belong in this new life?…

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Incredibles 2: Grace for the Technology Age

At 12-years-old, the release of Pixar’s original Incredibles hit me right between the eyes. Young enough for cartoons, old enough to understand some deeper implications of the story, I imagine I was at the center of their target audience. Certainly the question of Syndrome, the piece’s villain, was one I was beginning to ask myself as a budding teenager: if everyone is special, isn’t it true that no one is? How can I be uniquely valuable in a world where everyone is also uniquely valuable? It is a legitimate question, not just for children…

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still image from Disney Pixar's Coco

The Triumph of Coco

Picture this: a young child, just beginning to develop his own taste, personality, and interests, takes up an art and begins to pursue it with all the intensity and excitement of youth. Along the way, however, he feels rejected and oppressed by his family, who vocally oppose his dreams of a grand future in which his art becomes his sole focus. “Wealth and fame might look alluring now,” they say, “but getting rich as an artist isn’t as easy as it looks, and the lifestyle holds far less actual happiness than you assume!”…

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still image from Disney's A Wrinkle in Time

Deconstructing A Wrinkle in Time

“The resonant voice rose and the words seemed to be all around them so that Meg felt that she could almost reach out and touch them: ‘Sing to the Lord a new song, his praise from the end of the earth, ye who go down to the sea, and all that is therein; the isles, and the inhabitants thereof. Let the wilderness and the cities thereof lift their voice; let the inhabitants of the rock sing, let them shout from the top of the mountains. Let them give glory unto the Lord!”…

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