Donne begins this meditative sonnet by giving himself up to God, an act which, he maintains, feels appropriate in consideration of the various titles he possesses and their diverse implications. “As due by many titles I resign / Myself to thee, O God…” He catalogues these appellations: First, he is a creature of God, made by and for Him (“…first I was made / By thee, and for thee…”). Next, he is a redeemed one, re-possessed by Jesus’ blood (“…and when I was decayed / Thy blood bought that, the which before was thine…”). He is God’s son, made for glory (“I am thy son, made with thy self to shine…”). Even so, he remains God’s servant, whom God Himself maintains (“Thy servant, whose pains thou hast still repaid…”). He terms himself God’s sheep, the implication of which is clearly God’s nurturing care. Moreover, in his person, he bears God’s image, the very imprint of the divine. Finally, he embodies the very temple of the Holy Spirit, a living, spiritual house for the Lord. Recalling these seven titles, Donne implies numerically the fullness of the divine claim to him…